Glasgow is a strong choice for art, architecture and the history of a working city. Spend three days between the centre, leafy West End and Clyde, with major museums anchoring the walks through each area.
1
Day 1 — City Centre & East End
Day 1 — City Centre & East End
Glasgow Cathedral
Place of Worship, History Landmark
Start with the medieval cathedral, whose lower church surrounds the tomb of St Mungo. It stands at the eastern edge of the centre, beside the path up to the Necropolis.
Glasgow Necropolis
Cemetery, Historic Site, Viewpoint
Walk uphill from the cathedral through the Victorian cemetery’s monuments and winding paths. The higher terraces give views across the cathedral roofs and the eastern city.
Glasgow Green
Park
Continue south to the city’s oldest public park and the paths beside the Clyde. Look for the Doulton Fountain and the McLennan Arch before heading back towards the centre.
Gallery of Modern Art
Museum, Modern Art Museum
Finish the central route at GoMA in Royal Exchange Square, with changing contemporary-art exhibitions inside a former merchant’s mansion. Entry is free, and the square gives the museum a natural place in the walk.
Day 2 — West End
Day 2 — West End
Kelvingrove Park
Park
Start the West End day on the paths beside the River Kelvin, with the university buildings above the park. Continue to Kelvingrove Museum at the park’s southern edge.
Kelvingrove Art Gallery and Museum
Art Gallery
Continue into the red-sandstone museum for paintings, natural history and Glasgow’s collections. The permanent galleries are free; choose a few collections rather than trying to see every room.
Hunterian Museum and Art Gallery
Museum
Walk up through the university campus to the museum for Roman objects from the Antonine Wall. The separate art gallery is nearby, with the paid Mackintosh House interiors beside it.
The Mackintosh House
Museum
Continue to the Hunterian Art Gallery on Hillhead Street for the reconstructed interiors of Charles Rennie and Margaret Macdonald Mackintosh’s home. House admission is paid and separate from the free gallery.
Glasgow Botanic Gardens
Garden, Botanical Garden
Finish north of the university among the garden paths and the Kibble Palace glasshouse. The grounds and glasshouses are free, giving the afternoon an outdoor stretch after the museum visits.
Day 3 — Clyde & Riverside
Day 3 — Clyde & Riverside
Riverside Museum
Museum
Start beside the Clyde with Glasgow’s transport collection, from trams and buses to a reconstructed street. The museum is free and sits directly beside the Glenlee, so the two visits work together.
The Tall Ship Glenlee
Historic Site
Step aboard the restored sailing ship Glenlee beside the Riverside Museum. Explore the decks and cargo spaces for a closer view of life at sea after the museum’s wider transport collections.
Glasgow Science Centre
Museum, Science Museum
Continue to the south bank for the hands-on science displays, the main paid visit of the afternoon. The planetarium and cinema have separate programmes, so choose those in place of part of the exhibition visit.
Squinty Bridge
Historic Site
Finish the riverside route at the Clyde Arc, usually called the Squinty Bridge for its diagonal crossing. The arch and surrounding riverfront make a short final walk beside the Science Centre.
Optional extras
Optional extras
The Burrell Collection
Museum, Art Museum
Choose the Burrell instead of one of the central museum days for art, tapestries and objects collected from across the world. It lies in Pollok Country Park, south of the centre, and is free to visit.
Pollok Country Park
Park
Pair the woodland paths and open lawns with a visit to the Burrell Collection. This is a separate half-day south of the centre, not an extra stop on the West End walking route.
The Clydeside Distillery
Attraction, Core Attraction
Book a distillery tour for whisky production in a former dockside pump house. It stands between the Riverside Museum and the centre; substitute it for the Science Centre if whisky interests you more.
The Tenement House
Museum, Museum Gallery
Choose this four-room Garnethill flat for everyday life in early twentieth-century Glasgow, preserved through Agnes Toward’s belongings. It works as a smaller paid alternative to a major art museum.